a filmmaker's public journal
thegoodfilms:

Behind The Scenes | Star Wars: The Empire Strikes Back (1980)


Sometimes we forget how easy it is to create a title sequence these days…

thegoodfilms:

Behind The Scenes | Star Wars: The Empire Strikes Back (1980)

Sometimes we forget how easy it is to create a title sequence these days…

(via endlesslythinkingkarla)

From the Wire: Bye Bye Celluloid, Hello Digital

No one should be surprised by this.  It has been on the horizon for years.  There’s no use fighting it either.  Is conversion to digital projection costly for exhibitors everywhere?  Yes.  But, so what? We’ve already been through this- eighty years ago during the conversion from silent to sound.
Is there something to mourn when 35mm finally dies, relegated to the preferred medium of visual artists, but tossed aside by the mainstream?  Yes.  But let’s not forget how sound transformed cinema.  Digital can do the same.  It already has in so many ways.


Colours in Dario Argento’s Inferno (1980)


Just watched this recently, and though I found the story much less engrossing than Suspiria or Deep Red, I was dazzled as usual by the color pallet.

Colours in Dario Argento’s Inferno (1980)

Just watched this recently, and though I found the story much less engrossing than Suspiria or Deep Red, I was dazzled as usual by the color pallet.

(Source: rosemadder, via aplacebothwonderfulandstrange)

aplacebothwonderfulandstrange:

amaryicanhorrorstory:

I remember going to the movie store in the horror section as a kid, was like Disneyland.

Beautiful

Even when I was too young to check them out, I could look at the box and let my mind fill in the blanks.

aplacebothwonderfulandstrange:

amaryicanhorrorstory:

I remember going to the movie store in the horror section as a kid, was like Disneyland.

Beautiful

Even when I was too young to check them out, I could look at the box and let my mind fill in the blanks.

(Source: ccal)

“Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) with be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery–celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: ‘It’s not where you take things from–it’s where you take them to.’”

Jim Jarmusch (via megatrip

)

(via aplacebothwonderfulandstrange)

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